Florian Anderer

Florian Anderer

Born in Karlsruhe in 1980. Has been a member of the Schaubühne ensemble since the 2017/18 season. From 2001 to 2005 he studied acting at the Bern University of the Arts. First engagements at the Badisches Staatstheater and the Luzerner Theater. In 2003 scholarship of the Armin-Ziegler-Stiftung in Zurich. From 2009 to 2012 engagements at the Theater Vorpommern and Theater für Niedersachsen. 2009–12 member of the ensemble of the Mecklenburgisches Staatstheater Schwerin, where he collaborated among others with Thorleifur Örn Arnarsson, Claudia Bauer, Ralph Reichel and (for the first time in »Servant of Two Masters« by Carlo Goldoni, 2011) with Herbert Fritsch. Since 2012 freelance actor and further cooperation with Herbert Fritsch, among others in »Der Raub der Sabinerinnen« by Paul und Franz von Schönthan (Thalia Theater Hamburg, 2011), »Die Banditen« by Jaques Offenbach (2012) at the Theater Bremen, at the Volksbühne am Rosa-Luxemburg-Platz in »Die (s)panische Fliege« by Franz Arnold and Ernst Bach (2011), »Murmel Murmel« after Dieter Roth (2012), »Frau Luna« by Paul Lincke (2013), »Ohne Titel Nr. 1 – Eine Oper von Herbert Fritsch« (2014), »der die mann« after Konrad Bayer (2015) and »Pfusch« by Herbert Fritsch (2016), at the Opernhaus Zürich in »The Marksman« by Carl Maria von Weber (2016) and »King Arthur« by Henry Purcell (2016). Further engagements at Thalia Theater Hamburg in »I'm like you, I love apples« (director: Friederike Harmstorf, 2015) and at Schauspielhaus Zürich in »Grimmige Märchen« (director: Herbert Fritsch). He worked on several audio books, including »The Things They Carried« by Tim O’Brien (Direction: Harald Krewer, 2014) and »Wer ins Paradies will, muss erstmal am Leben vorbei« after Sven Reker (Direction: Mark Ginzler, 2017). Several TV and film productions, such as »Dating Daisy« (Direction: Züli Aladağ, 2014), »Wanja« (Direction: Carolina Hellsgård, 2015), »Toro« (Direction: Martin Hawie, 2015) and »Schweigeminute« (Direction: Thorsten M. Schmidt, 2016).

Schaubühne

Zeppelin freely after Ödön von Horváth, Direction: Herbert Fritsch (2017)
fontane.200: Einblicke in die Vorbereitungen des Jubiläums des zweihundertsten Geburtstags Theodor Fontanes im Jahr 2019 An evening by and with Rainald Grebe, Direction: Rainald Grebe (World Premiere, 2018)
der die mann after texts by Konrad Bayer, Direction and Set Design: Herbert Fritsch (Takeover of the Volksbühne am Rosa-Luxemburg-Platz, 2018)
NULL by Herbert Fritsch, Direction: Herbert Fritsch (2018)
Champignol inspite of himself by Georges Feydeau, Direction: Herbert Fritsch (2018)
Prometheus A project by Bastian Reiber, Direction: Bastian Reiber (2019)
THE HUMAN CONDITION after Hannah Arendt, Realisation: Patrick Wengenroth (2019)
Amphitryon by Molière, Direction: Herbert Fritsch (2019)

 

In this season

Amphitryon

by Molière
Direction and Set Design: Herbert Fritsch

Champignol in Spite of Himself

by Georges Feydeau
Direction and Set Design: Herbert Fritsch

der die mann

after texts by Konrad Bayer
Direction and Set Design: Herbert Fritsch

Jeff Koons

by Rainald Goetz
Direction: Lilja Rupprecht
Studio

NULL

by Herbert Fritsch
Direction and Set Design: Herbert Fritsch
World Premiere

Prometheus

A project by Bastian Reiber
Direction: Bastian Reiber
Studio

THE HUMAN CONDITION

after Hannah Arendt
Realisation: Patrick Wengenroth

Zeppelin

freely after Ödön von Horváth
Direction and Set Design: Herbert Fritsch