Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
Photo: Arno Declair, 2015
Photo: Arno Declair, 2015 
 

Bella Figura

by Yasmina Reza
Direction: Thomas Ostermeier
World Premiere

German translation by Thomas Ostermeier and Florian Borchmeyer

06/01/2017, 19.30–21.30

A man and a woman in a car-park outside a country restaurant. She, single mother and pharmaceutical technician Andrea, is still in the car. Her lover, glazing entrepreneur Boris, is trying to persuade her to get out – despite the faux pas he has just committed: mentioning the fact that this restaurant was recommended to him by his wife... »Bella Figura« explores the evening that follows this fatal mistake. A short while later, another couple enters the scene: Eric and Françoise, accompanied by Eric’s mother, Yvonne. It soon transpires that they are connected to the first couple in an unfortunate way.
This play is almost entirely set in the open air, on a day which is drawing to a close. I have never told stories in my plays so it should come as no great surprise that this is still the case. Unless you consider the faltering, heaving fabric of life itself to be a story. (Yasmina Reza)

For the first time, Thomas Ostermeier stages a play by Yasmina Reza. The author wrote the work specifically for the Schaubühne ensemble. 

>>> Essay about the production in Pearson's Preview: Beautiful Corpses and Yasmina Reza’s »Bella Figura«

Andrea: Nina Hoss
Boris Amette: Mark Waschke
Françoise Hirt: Stephanie Eidt
Eric Blum: Renato Schuch
Yvonne Blum: Lore Stefanek
Duration: ca. 120 minutes

Premiered on 16 May 2015

Tour Dates

Paris (November 2015)

Originalmusik von Malte Beckenbach
Weitere Instrumente: Christian Weidner (Altsaxophon, Sopransaxophon), Max von Mosch (Tenorsaxophon), Karl-Ivar Refseth (Vibraphon), Andi Haberl (Schlagzeug)